TH . ATHOME Trend Books form the basis for developing future interior and home decor collections.
They translate long-term observation of colour, material and design into clear trend and colour stories, looking ahead up to two years.
Published twice a year for Spring | Summer and Autumn | Winter | Christmas, with a distinctive focus on seasonal and Christmas collections.
Studio Thuis is the studio of Titia Huisman (TH), trend forecaster and designer.
Working as an antenna, she receives signals from colour, material, design and society and translates them into clear frameworks for future collections. These insights are brought together in the At Home Trend Books, widely used by designers, product developers and buyers worldwide.
The TH logo, shaped like an antenna, reflects this role: receiving signals, filtering them, and transmitting them through the At Home Trend Books, with a strong and distinctive position in Christmas and seasonal trend forecasting.
The ATHOME.SS2027 interior trend book is currently in development.
It explores long-term movements in colour, material and form, translated into clear frameworks for future interior and home decor collections.
The At Home Autumn | Winter | Christmas 27|28 edition will be released in January 2026.
Subscribe to receive a preview of the next editions and occasional updates on colour, materials and new work.
A seed in a little pot, in a corner with light, with just enough water and patience. At first, almost nothing happens. Then suddenly a shoot, a few needles, a fragile beginning you hardly dare to touch. You watch, you wait, you give it what it needs. Slowly it grows sturdier. More green appears, more shape. You move it into a bigger pot, and after a few years you recognise it: a Christmas tree in the making. Not perfect, not finished, but carefully raised.
DDW Eindhoven always feels close to home, geographically and creatively. Paris (M&O) is where I look for newness in interiors, accessories, materials and colour; Milan is the high-end design feast; Eindhoven is that gentle week among innovators, moving from halls to museums, from conversations to material exploration, from curated shows to the tiniest details.
After visiting Maison & Objet, I stayed in Paris for two more days. I spent them wandering through the city, discovering new galleries, walking past hidden courtyards and visiting shops and galleries taking part in Paris Design Week.
My summer was a busy one. Between travelling, finishing my trend book and keeping up with appointments, I was determined to make time for Paris. September in the city is always a joy – the pleasant temperatures, the gentle light and the familiar rhythm of Paris Design Week, with a full day reserved for Maison & Objet.
From overseas suppliers I often hear the same tension: in Europe, price dominates decision-making, while in the US tariffs add constant pressure on margins. The market feels trapped. There must constantly be something new, yet it cannot cost anything.
